Archive: March 20, 2019

Unmaking the Fascist Man: Film, Masculinity, and the Transition from Dictatorship

Journal of Modern Italian Studies, vol. 10, no.3 (fall 2005): 336-365.

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Un cinéma d’après-guerre : le néoréalisme italien et la transition démocratique

Annales. Histoire, Sciences Sociales, vol.63, no.6 (novembre-décembre 2008): 1215-1248

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Fascism, Writing, and Memory: The Realist Aesthetic in Italy, 1930-50

The Journal of Modern History 67 (September 1995), pp.627-665

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Italian Fascism’s Empire Cinema: Kif tebbi, The Conquest of Libya, and the Assault on the Nomadic

in Postcolonial Cinemas: History, Aesthetics, Epistemes, ed. Sandra Ponzanesi and Marguerite Waller (New York: Routledge, 2011), pp.20-31

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Moving Images: Realism and Propaganda

in Italia 1918-1943. Lo Stato dell’Arte, ed.Germano Celant (Milan: Fondazione Prada, 2018), pp.420-425

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Modernity is Just Over There: Colonialism and the Dilemmas of Italian National Identity

Interventions: International Journal of Postcolonial Studies, vol.8, no.3 (2006): 380-393

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A Lesser Evil? Italian Fascism in/and the Totalitarian Equation

in The Lesser Evil: Moral Approaches to Genocide Practices, eds. Helmut Dubiel and Gabriel Motzkin (New York and London: Routledge, 2004), pp.137-153.

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Fascist Italy and Nazi Germany: The Dynamics of an Uneasy Relationship

in “Art, Culture, and the Media in the Third Reich” ed. Richard Etlin (Chicago: University of Chicago Press, 2002), pp.257-286.

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